Quentin Tarantino — "I don't want to make movies that are safe. I want to make movies that are danger…"
I don't want to make movies that are safe. I want to make movies that are dangerous.
I don't want to make movies that are safe. I want to make movies that are dangerous.
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"I don't like to be bored. I like to be entertained."
"I'm a filmmaker. I don't care about the real world."
"I grew up on exploitation movies. I grew up on kung fu movies. I grew up on spaghetti westerns. I grew up on blaxploitation movies. I grew up on all that stuff. And I love all that stuff."
"I'm a big fan of grindhouse cinema. I think it's a lost art form."
"I don't care for Matthew Lillard."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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