Marlon Brando — "I have no idea what I'm doing. I just try to make it interesting."
I have no idea what I'm doing. I just try to make it interesting.
I have no idea what I'm doing. I just try to make it interesting.
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"There are times when I think I'm going to go crazy, and then I realize I'm already there."
"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous."
"An actor’s a guy who, if you ain’t talking about him, ain’t listening."
"I don't think anyone should be forced to do anything against their will."
"I don't think there's any such thing as a good guy or a bad guy. There are just people."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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