Marlon Brando — "I have no idea what I'm doing. I just try to make it interesting."
I have no idea what I'm doing. I just try to make it interesting.
I have no idea what I'm doing. I just try to make it interesting.
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"Privacy is not something that I'm willing to give up for the sake of celebrity."
"I've always been a rebel without a cause."
"I don't believe in marriage. I think it's an antiquated institution."
"If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives."
"Acting is an empty and useless profession."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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