Marlon Brando — "I'm going to be a plumber. I don't want to be an actor. I don't want to be a mov…"
I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself.
I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself.
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"I never wanted to be a movie star. I wanted to be a good actor."
"I think that the most important thing in life is to be passionate."
"I think the great actors are the ones who are willing to make fools of themselves."
"I don't like to be constrained. I think it's stifling."
"I don't think acting is a very noble profession. It's just a way to make a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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