Marlon Brando — "I never wanted to be a movie star. I wanted to be a good actor."
I never wanted to be a movie star. I wanted to be a good actor.
I never wanted to be a movie star. I wanted to be a good actor.
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"I don't care about money. I just want to be left alone."
"I think that the only way to grow is to challenge yourself."
"The more sensitive you are, the more you are subject to suffering."
"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
"I don't think acting is that important. It's just a way of making a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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