Edvard Munch — "I painted the same picture over and over again, the same feelings."
I painted the same picture over and over again, the same feelings.
I painted the same picture over and over again, the same feelings.
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"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
"My art is truly a confession. A voluntary unveiling of my soul."
"I don't have any more hope. Nothing to expect with joy so why work - why bother when I will have to eventually die one day. The knowledge to have done something great should be its own recompose. Whic…"
"The camera can't lie, but it can be an accomplice to a lie."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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