Edvard Munch — "I wanted to show that behind the outer facade of human beings, there is a whole …"
I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts.
I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts.
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"Art comes from joy and pain, but mostly from pain."
"A person himself believes that all the other portraits are good likenesses except the one of himself."
"I paint memories, not things."
"The most terrible thing is to feel alone in a crowd."
"Art is a way to stop time."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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