Edvard Munch — "I wanted to show that behind the outer facade of human beings, there is a whole …"
I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts.
I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts.
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"My art is a diary of my life."
"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"I painted the picture, and in the colors the rhythm of the music quivers."
"The only way to understand art is to feel it."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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