Quentin Tarantino — "I think every movie is a genre movie. A John Cassavetes movie is a genre movie—i…"
I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself.
I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself.
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"I’d rather watch a bad movie that’s passionate than a good movie that’s boring."
"When people ask me if I went to film school, I tell them, 'No, I went to movies.'"
"I don't think there's any such thing as a bad movie, just a movie you don't like."
"I'm not a fan of CGI. I like practical effects."
"I don't believe in the idea of 'guilty pleasures.' If you f***ing like something, like it!"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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