Marlon Brando — "I'm not a rebel. I'm just me."
I'm not a rebel. I'm just me.
I'm not a rebel. I'm just me.
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"I don't believe in regret. I think it's a waste of time."
"I don't think there's any such thing as a normal person."
"I don't want to be a star. I want to be an actor."
"Food has always been my friend. When I wanted to feel better or had a crisis in my life, I opened the icebox."
"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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