Marlon Brando — "I don't have any regrets. I've lived my life the way I wanted to."
I don't have any regrets. I've lived my life the way I wanted to.
I don't have any regrets. I've lived my life the way I wanted to.
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"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"I've always been attracted to women who are strong and independent."
"I think the great actors are the ones who are willing to make fools of themselves."
"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
"I don't like to be constrained. I think it's stifling."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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