Edvard Munch — "Is it because she took my first kiss that she took the perfume of life from me?"
Is it because she took my first kiss that she took the perfume of life from me?
Is it because she took my first kiss that she took the perfume of life from me?
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"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"It is not the eye that sees, but the soul."
"I am a child of the night, a child of sorrow and longing."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A melancholic and poetic reflection on a past, possibly formative, romantic relationship.
Date: Late 19th Century
Love & RelationshipsFound in 1 providers: gemini
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