Stanley Kubrick — "I've always been interested in the dark side of things. I think it's because it'…"
I've always been interested in the dark side of things. I think it's because it's where the real drama is.
I've always been interested in the dark side of things. I think it's because it's where the real drama is.
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"I've always been fascinated by the dark side of human nature. I think it's important to explore that, to understand it, even if it's uncomfortable."
"Man is a ape with a conscience."
"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"I think that man is a very dangerous animal, and that he has a great capacity for evil."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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