Stanley Kubrick — "I've always been interested in the dark side of things. I think it's because it'…"
I've always been interested in the dark side of things. I think it's because it's where the real drama is.
I've always been interested in the dark side of things. I think it's because it's where the real drama is.
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"The future belongs to those who believe in the beauty of their dreams."
"The criminal and the soldier at least have the virtue of being against something or for something in a world where many people have learned to accept a kind of grey nothingness, to strike an unreal se…"
"The truth of a thing is in the feeling of it, not in the thinking of it."
"The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time."
"The greatest danger in life is not to take the adventure."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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