Edvard Munch — "The angels of fear, sorrow, and death stood by my side since the day I was born."
The angels of fear, sorrow, and death stood by my side since the day I was born.
The angels of fear, sorrow, and death stood by my side since the day I was born.
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"I painted the picture, and in the colors the rhythm of the music quivers."
"The human heart is a dark and mysterious place."
"The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell."
"The air was like a shriek."
"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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