Edvard Munch — "The only way to understand art is to feel it."
The only way to understand art is to feel it.
The only way to understand art is to feel it.
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"Some colors reconcile themselves to one another, others just clash."
"It is not the subject that is important, but the feeling it evokes."
"Is it because she took my first kiss that she took the perfume of life from me?"
"To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does …"
"The soul is an entity that exists in a state of eternal flux."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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