Edvard Munch — "The colors scream."
The colors scream.
The colors scream.
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"The greatest pleasure in life is to create."
"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"I am not interested in painting pretty pictures."
"An old wise man's soul has taken up residence in my dog."
"Through art I have tried to get clarity in my life. I have tried to find a light in the darkness."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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