Marlon Brando — "I don't like to talk about myself. I like to talk about other things."
I don't like to talk about myself. I like to talk about other things.
I don't like to talk about myself. I like to talk about other things.
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"I don't believe in marriage. I think it's an antiquated institution."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
"I don't think America is the greatest country in the world anymore."
"If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease."
"If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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