Edvard Munch — "The soul is like a vast, dark forest."
The soul is like a vast, dark forest.
The soul is like a vast, dark forest.
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"For as long as I can remember I have suffered from a deep sense of anxiety which I have tried to express in my art."
"—I have kissed a corpse such was that kiss—"
"Art comes from joy and pain, but mostly from pain."
"My art is really a voluntary confession and an attempt to make clear to myself my relationship to life."
"The human soul is a vast, unfathomable ocean."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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