Marlon Brando — "I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
I don't think I'm a very good actor. I'm not that talented. I'm just lucky.
I don't think I'm a very good actor. I'm not that talented. I'm just lucky.
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"I'm not interested in being a legend. I'm interested in being a human being."
"I'm not a very social person. I'm a very private person."
"We don't go anywhere. Going somewhere is for squares. We just go!"
"I'm not a method actor. I'm just an actor."
"I don't think acting is that important. It's just a way of making a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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