Marlon Brando — "I don't like to be famous. I think it's a burden."
I don't like to be famous. I think it's a burden.
I don't like to be famous. I think it's a burden.
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"I'm not a difficult person. I'm just an individual."
"I don't have any regrets. I've lived my life the way I wanted to."
"I don't like to talk about my personal life."
"I think that the only way to live is to be true to yourself."
"I don't like to be in the public eye. I prefer to be private."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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