Quentin Tarantino — "The good thing about being a writer is you can make up anything you want."
The good thing about being a writer is you can make up anything you want.
The good thing about being a writer is you can make up anything you want.
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"I'm a big fan of Westerns. I think they're America's greatest art form."
"I don't believe in God. I believe in a lot of things, but God's not one of them."
"The flaw is Paul Dano. Obviously, it's supposed to be a two-hander, and it's also so drastically obvious that it's not a two-hander. … He is weak sauce, man. He's a weak sister."
"I love the smell of film."
"Once the movie gets going, once the lights go down, you become a collective. There's you by yourself, but then there's all of you together. And then you start appreciating the movie in that way."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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