Quentin Tarantino — "I'm a big fan of movie posters. I think they're a work of art."
I'm a big fan of movie posters. I think they're a work of art.
I'm a big fan of movie posters. I think they're a work of art.
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"I'm a big fan of violence in movies. I think it's fun."
"I'm a big fan of movies that challenge the audience."
"I'm a big fan of revenge movies."
"Not every movie needs to be made. Not every movie should be made."
"I hope the publicity you're getting from 132 different media outlets writing your name and printing your picture was worth disrespecting me and a film I remember quite clearly you were thrilled to be …"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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