Marlon Brando — "I'm going to make him an offer he can't refuse."
I'm going to make him an offer he can't refuse.
I'm going to make him an offer he can't refuse.
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"I have to be careful about what I say, because I don't want to offend anybody. But I do."
"The more sensitive you are, the more you are subject to suffering."
"I've always been attracted to women who are strong and independent."
"I think that acting is a form of neurosis."
"I don't like to talk about myself. I like to talk about other things."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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