Marlon Brando — "My father was a very, very funny man. He was also a very cruel man."
My father was a very, very funny man. He was also a very cruel man.
My father was a very, very funny man. He was also a very cruel man.
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"I don't like to be predictable. I think it's boring."
"I'm not interested in being a legend. I'm interested in being a human being."
"I think that the only way to live is to be true to yourself."
"I had to read Wuthering Heights for English and I never enjoyed a book in all my life as much as that one."
"I never read a script. I just look at the money."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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