Marlon Brando — "If there is someone who is convinced that Jack Nicholson and I are lovers, may t…"
If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing.
If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing.
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"There are times when I think I'm going to go crazy, and then I realize I'm already there."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"Mafia is the best example of capitalism we have."
"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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