Quentin Tarantino — "If I've made it a little easier for artists to work in violence, great!"
If I've made it a little easier for artists to work in violence, great!
If I've made it a little easier for artists to work in violence, great!
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"Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies."
"I'm a big fan of movie posters. I think they're a work of art."
"I want to be remembered as one of the greatest filmmakers of all time."
"You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's…"
"I'm not saying I'm a saint, but I'm not a bad guy. I'm just a guy who makes movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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