Quentin Tarantino — "If I've made it a little easier for artists to work in violence, great!"
If I've made it a little easier for artists to work in violence, great!
If I've made it a little easier for artists to work in violence, great!
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"I'm not interested in being a nice guy. I'm interested in being a good filmmaker."
"I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."
"I'm a big fan of directors who have a strong vision."
"The worst thing about movies is, no matter how far you can go, when it comes to violence you are wearing a pair of handcuffs that novelists... don't wear."
"I'm not trying to make a statement with my films. I'm just trying to entertain people."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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