Quentin Tarantino — "I like it when somebody tells me a story, and I actually really feel that that's…"
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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"My philosophy forever has been it doesn't matter what you're like as long as you're interesting. Interest is everything."
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
"I was kind of excited to go to jail for the first time and I learnt some great dialogue."
"I'm a big fan of ensemble casts."
"I don't believe in censorship. I believe in artistic freedom."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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