Quentin Tarantino — "I like it when somebody tells me a story, and I actually really feel that that's…"
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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"If I've made it a little easier for artists to work in violence, great!"
"I love the smell of film."
"I'm not a big fan of directors who take themselves too seriously."
"I actually think I'm a better writer than I am a director."
"Bruce had nothing but disrespect for American stuntmen and was always hitting them. ... I can understand his daughter having a problem with it, everyone else could 'go suck a d***.'"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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