Bruce had nothing but disrespect for American stuntmen and was always hitting them. ... I can understand his daughter having a problem with it, everyone else could 'go suck a d***.'
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"I'm shutting your butt down!"
"I'm a slave to my imagination."
"I mean, I'm a big movie geek. I just like movies, and I just like going to the movies. I also like watching movies at home. But I like going to the movies. It's like going to church. It's like going t…"
"I don't believe in good taste. I believe in my taste."
"I don't want to make movies that are safe. I want to make movies that are dangerous."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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