Marlon Brando — "All I want to be is normally insane."
All I want to be is normally insane.
All I want to be is normally insane.
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"I've always been attracted to women who are strong and independent."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
"Tim is the greatest actor ever. He pretends he loves me when he wants something to eat."
"I never thought I'd live this long."
"I think that I'm a good actor, but I'm not a great actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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