Quentin Tarantino — "I'm a slave to my imagination."
I'm a slave to my imagination.
I'm a slave to my imagination.
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"I make violent movies. I like violent movies. I'm on record about how I feel there is no correlation between art and life in that way."
"In real life there are no bad guys. Everybody just has their own perspective."
"I'm a big fan of the moment. I think it's all we have."
"The good thing about being a writer is you can make up anything you want."
"When I start writing I write these crazy novels. And I don't know what to do about it. Well, write a novel. That's what you can do, write a novel. And don't make a movie out of it."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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