Catherine Guinness [...] didn't get heavy until the last day, when she started with that annoying thing the English do of asking and asking: 'What exactly is Pop Art?' It was like when we interviewed that blues kid, Albert King, for Interview, and she asked him: 'What exactly is soul?'
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"I'm not a real teacher. I'm a commercial teacher."
"I am a person who is very superficial. I like surfaces."
"I'm not a real scientist. I'm a commercial scientist."
"Sometimes people let the same problem make them miserable for years when they could just say, 'So what.' That's one of my favorite things to say. So what. 'My mother didn't love me.' So what. 'My husb…"
"Love and sex can go together and sex and unlove can go together and love and unsex can go together. But personal love and personal sex is bad."
American Pop Art icon whose Factory industrialized image-making and erased the line between commerce and fine art. Closely associated with Roy Lichtenstein (Pop comic-strip painter) and Robert Rauschenberg (combine-painter precursor). For an intellectual contrast, see Mark Rothko, Abstract Expressionist of the deeply personal color field — Rothko stood for emotional depth and singular authorship — exactly what Warhol's silkscreen production line industrially refused.
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