Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me.
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"The only way to understand art is to feel it."
"I thought I should make something – I felt it would be so easy – it would take form under my hands like magic. Then people would see!"
"My art is truly a confession. A voluntary unveiling of my soul."
"I don't have any more hope. Nothing to expect with joy so why work - why bother when I will have to eventually die one day. The knowledge to have done something great should be its own recompose. Whic…"
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
In a draft of a letter to his friend Jens Willumsen, expressing a desire for a mobile communication device.
Date: Undated (approx. early 20th Century)
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