Edvard Munch — "I learned early about the misery and dangers of life, and about the afterlife, a…"
I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread.
Closely associated with
James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir).
For an intellectual contrast, see
Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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Reflecting on his strict religious upbringing and its impact on his worldview.