I actually really try to um have morality not even be an issue at all all right when it comes to my characters. That's so interesting i mean you know I don't want that to have any play whatsoever. i That would be me commenting on them that is me sticking my big nose into their lives. and then their philosophies i let them be who they are.
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"I'm not a fan of political correctness."
"I'm a big fan of practical effects. I think they're better than CGI."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I don't make movies for critics. I make movies for audiences."
"I don't like to be boring. I like to be exciting."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
TimesTalks interview with Lynn Hirschberg, discussing character writing.
Date: 2010
PhilosophicalFound in 1 providers: gemini
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