Quentin Tarantino — "I'm a big fan of practical effects. I think they're better than CGI."
I'm a big fan of practical effects. I think they're better than CGI.
I'm a big fan of practical effects. I think they're better than CGI.
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"This is a debased genre of literature, but I'm all about debased genres of art that people don't respect."
"I don't think about the message of my films. I just think about the story."
"I'm not a big fan of political correctness. I think it's a disease."
"But when the black critics came out with savage think pieces about Django, I couldn't have cared less. If people don't like my movies, they don't like my movies, and if they don't get it, it doesn't m…"
"I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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