Yayoi Kusama — "I am an alien. I am from outer space."
I am an alien. I am from outer space.
I am an alien. I am from outer space.
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"I am a phenomenon. I am a miracle."
"I am an alien."
"I want to explain to the whole world that I am a living artist, and I am still creating."
"I once tried to have sex with one of my polka dot paintings. I wanted to become one with the dots."
"I want to be remembered as a person who brought love and peace to the world through art."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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