I didn't force her into the car… She got into the car because she trusted me, she believed me. (Seeing that crash) it was heartbreaking, just horrible… the biggest regret of my life.
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"I don't believe in the idea of 'guilty pleasures.' If you f***ing like something, like it!"
"I’d rather watch a bad movie that’s passionate than a good movie that’s boring."
"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
"I don't believe in good taste. I believe in my taste."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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