If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't any good. But it was my film school—and I actually got away really cheap. When it was all over I knew how to make a movie.
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"I'm never bothered that people say I don't make films 'from life' and that I have 'nothing to say.' I don't try to say anything but to create characters and to tell stories out of which meaning can ap…"
"Violence is fun, man."
"I'm not a fan of political correctness."
"I don't like to be bored. I like to be entertained."
"I have a big thing about killing animals in movies. That's a bridge I can't cross."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Adobe Max interview, quoted in an article about his filmmaking.
Date: Approximate, quoted in 2022 article
PhilosophicalFound in 1 providers: gemini
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