Quentin Tarantino — "I do not make films for children. I make films for adults who are children."
I do not make films for children. I make films for adults who are children.
I do not make films for children. I make films for adults who are children.
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"I don't like to follow rules. I like to break them."
"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
"I don't like to compromise. I like to do it my way."
"I like to make movies that are like a punch to the gut."
"But when the black critics came out with savage think pieces about Django, I couldn't have cared less. If people don't like my movies, they don't like my movies, and if they don't get it, it doesn't m…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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