Quentin Tarantino — "I've always been a big fan of dialogue. I think dialogue is the most important p…"
I've always been a big fan of dialogue. I think dialogue is the most important part of a movie.
I've always been a big fan of dialogue. I think dialogue is the most important part of a movie.
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"I don't care if people like my movies or not. I make them for myself."
"I'm not a fan of CGI. I like practical effects."
"I'm a big fan of movies that are morally ambiguous."
"The flaw is Paul Dano. Obviously, it's supposed to be a two-hander, and it's also so drastically obvious that it's not a two-hander. … He is weak sauce, man. He's a weak sister."
"If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie. You don't have to go to school, you don't have to know a lens... none of that shit's importa…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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