Quentin Tarantino — "I don't care about awards. I care about making good movies."
I don't care about awards. I care about making good movies.
I don't care about awards. I care about making good movies.
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"I don't believe in happy endings. I believe in interesting endings."
"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"I think every film I make is a genre unto itself."
"To me they're all living inside of this one universe. And it isn't [pointing out the window] out there. Well, it's a little bit out there, and it's also there, too [points at his TV], in the movies, a…"
"TV's fun, it's good. I've carried memories that I've seen on television for most of my life. But it's also a disposable experience."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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