Marlon Brando — "I don't care about money. I just want to be left alone."
I don't care about money. I just want to be left alone.
I don't care about money. I just want to be left alone.
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"The camera is a lie. It's a machine that distorts reality."
"I don't think I'm a genius. I think I'm a worker."
"Hey, you wanna hear my philosophy of life? Do it to him before he does it to you."
"Hollywood is ruled by fear and love of money. But it's not love that makes the world go 'round—it's money."
"Privacy is not something that I'm willing to give up for the sake of celebrity."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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