Marlon Brando — "Privacy is not something that I'm willing to give up for the sake of celebrity."
Privacy is not something that I'm willing to give up for the sake of celebrity.
Privacy is not something that I'm willing to give up for the sake of celebrity.
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"I'm not interested in being a legend. I'm interested in being a human being."
"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"I hate acting. I hate the whole business."
"I don't like to be complacent. I think it's dangerous."
"I don't like to be pushed around by anybody—including the government."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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