Quentin Tarantino — "I don't care about political correctness. I care about telling a good story."
I don't care about political correctness. I care about telling a good story.
I don't care about political correctness. I care about telling a good story.
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"I don't think about the legacy of my films. I just think about making the next one."
"Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat."
"You know, anything can be- you can make a joke out of anything. You name me any horrific thing, and I can make a joke out of it, all right, because you know, and a joke is a joke."
"I'm a filmmaker. I make movies. That's what I do."
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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