Quentin Tarantino — "I don't care about what people say about my movies. I make them for myself."
I don't care about what people say about my movies. I make them for myself.
I don't care about what people say about my movies. I make them for myself.
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"The good thing about being a writer is you can make up anything you want."
"I like the way blood looks in black and white. It's like a Rorschach test."
"Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat."
"I don't think about the message of my films. I just think about the story."
"I'm a big fan of movies that are thought-provoking."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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