Marlon Brando — "I don't like to be controlled. I think it's demeaning."
I don't like to be controlled. I think it's demeaning.
I don't like to be controlled. I think it's demeaning.
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"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
"Never confuse the size of your paycheck with the size of your talent."
"I had to read Wuthering Heights for English and I never enjoyed a book in all my life as much as that one."
"I don't like to be predictable. I think it's boring."
"I hate acting. I hate the whole business."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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