Marlon Brando — "Never confuse the size of your paycheck with the size of your talent."
Never confuse the size of your paycheck with the size of your talent.
Never confuse the size of your paycheck with the size of your talent.
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"I don't know what the hell I'm doing. I just do it."
"The only thing I ever learned from acting was that I could make a lot of money."
"If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."
"I never wanted to be a movie star. I wanted to be a good actor."
"I don't think anyone should be forced to do anything against their will."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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