Marlon Brando — "I don't like to be told what to say. I like to say what I want to say."
I don't like to be told what to say. I like to say what I want to say.
I don't like to be told what to say. I like to say what I want to say.
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"I don't like to be predictable. I think it's boring."
"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous."
"I don't think there's any such thing as a normal person."
"I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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