Marlon Brando — "I don't think I was constructed to be monogamous. I don't think it's the nature …"
I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous.
I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous.
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"I don't like to talk about myself. I like to talk about other things."
"I'm not a difficult person. I'm just an individual."
"The more sensitive you are, the more you are subject to suffering."
"I'm going to make him an offer he can't refuse."
"I don't like to be famous. I think it's a burden."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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