Marlon Brando — "I don't think I'm a great actor. I think I'm a competent actor."
I don't think I'm a great actor. I think I'm a competent actor.
I don't think I'm a great actor. I think I'm a competent actor.
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"When you lie to yourself about yourself, you’re in bad company."
"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
"I'm just a simple man trying to make his way in the universe."
"I'm not afraid of death. I'm afraid of dying."
"We are not actors, we are just people who are paid to be actors."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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