Marlon Brando — "We are not actors, we are just people who are paid to be actors."
We are not actors, we are just people who are paid to be actors.
We are not actors, we are just people who are paid to be actors.
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"Privacy is not something that I'm afforded."
"I don't think America is the greatest country in the world anymore."
"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"The more sensitive you are, the more you are subject to suffering."
"Acting is an illusion, a beautiful lie."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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