Marlon Brando — "I don't think there's any such thing as a good guy or a bad guy. There are just …"
I don't think there's any such thing as a good guy or a bad guy. There are just people.
I don't think there's any such thing as a good guy or a bad guy. There are just people.
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"I don't think I'm a great actor. I think I'm a competent actor."
"There are times when I think I'm going to go crazy, and then I realize I'm already there."
"I'm not a method actor. I'm just an actor."
"Privacy is not something that I'm afforded."
"I don't like to be famous. I don't like to be a star."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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